Two grizzled war veterans go missing after kidnapping a soldier who turns out to be a con artist.

Missing Persons is a short-lived American crime drama television series, set in Chicago. It followed a fictitious missing persons unit; each episode usually following the investigation into three or more cases. It ran on ABC from August 30, 1993 to February 17, 1994.It was produced by Gary Sherman Productions in association with Stephen J. Cannell Productions, and often used local Chicago-based actors, as well as occasional big-name guest stars such as Nina Foch, Eddie Bracken and Lois Smith. Semi-regulars included Ian Gomez, Irma P. Hall, Laura Cerón and Valerie Harper. Unlike most series from Cannell's company, he did not create or co-create this series.

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Five members of the Missing Persons Task Force investigate the mysterious disappearance of 17-year-old Evi. While unraveling the girl's troubled relationship with her parents, which leaves her father as one of the prime suspects, they discover that her life had recently taken a bizarre turn, with the teenager seen at several sex parties, receiving expensive gifts from a shadowy new friend. Was Evi the victim of a pimp, or did her father discover his daughter's double life and lose control?

When an ambiguously Intentioned masked man kidnaps a drug addicted punk singer, it triggers a police investigation as well as a media circus.

When police officer Nikki Batista’s son goes missing, she joins the Philadelphia Police Department's Missing Person’s Unit (MPU) to help other people find their loved ones, even as she searches for her own. Six years later, her world is turned upside-down when her ex-husband, Jason Grant, a former police officer, shows up with a proof-of-life photo of their missing boy. Or is it?

Popular and ratings-winning BBC sketch and impressions series with Mike Yarwood.

After a teenage girl's perplexing suicide, a classmate receives a series of tapes that unravel the mystery of her tragic choice.

17 Reasons Why should ideally be projected at 16 fps. It is far more enjoyable at this slower speed. 　　17 Reasons Why was photographed with a variety of semi-ancient regular 8 cameras and is projected unslit as 16mm. These pocket-sized relics enabled me to walk around virtually “unseen,” exploring and improvising with the immediacy of a more spontaneous medium. The four image format has built-in contrapuntal resonances, ironies, and beauty, and in each case gives us an unpretentious look at the film frame itself … the simple and primordial delight of luminous Kodachrome and rich black and white chugging thru these timeworn gates. N. D.

17 Reasons Why should ideally be projected at 16 fps. It is far more enjoyable at this slower speed. 　　17 Reasons Why was photographed with a variety of semi-ancient regular 8 cameras and is projected unslit as 16mm. These pocket-sized relics enabled me to walk around virtually “unseen,” exploring and improvising with the immediacy of a more spontaneous medium. The four image format has built-in contrapuntal resonances, ironies, and beauty, and in each case gives us an unpretentious look at the film frame itself … the simple and primordial delight of luminous Kodachrome and rich black and white chugging thru these timeworn gates. N. D.